SHOWREELS, SHORTS & CINEMATOGRAPHY
We believe that the best possible image quality is essential to standing out.
So many cameras these days produce incredible images - but we wanted to go one step further and deliver unrivalled image quality, paired with our years of experience in shooting actor's reels, proof-of-concepts and short films.
We need a camera that won't let us down, offers incredible versatility with size and weight and is able to stand up to the constantly changing conditions when shooting on different locations.
We can now offer high-end, cinema quality visuals at a great price - certainly less than if you were to rent all of the kit for a day!
Why should actors chose the RED option for their reel?
Simply put, if you want your scenes to really stand out amongst the rest.
RED offers an image that is instantly cinematic and provides a certain
look that is impossible to achieve with other cameras.
We also spend longer on our RED shoots, giving you the time
you need to dial in a performance and really get things right.
For showreels, we'll only ever shoot one scene per day on our RED
package. This is to ensure quality control and make sure that
we are only putting our attention on one thing - getting your scene
looking and sounding ace!
Who is the RED package aimed at?
The RED package is aimed at actors who perhaps already have some screen experience and now need additional material whilst also wanting their new footage to match the quality of the professional work they've done previously.
Sometimes reels can be let down by poorly shot footage amongst higher quality work. Our goal is to make sure that your new material fits right in and doesn't look out of place.
Of course, anyone is welcome to book a RED package, but we would like to remind actors that the shoots are quite intense (sometimes up to 4-5 hours long) and come with a level of expected screen experience.
If you would like your scene to be shot on RED,
please use the contact form on this page below
and let us know that you're interested in having
your scene shot on RED